Curriculum Vitae

Sally Reid, composer, ASCAP

Professor Emeritus, Department of Music, Abilene Christian University

130 Burford Music Center ACU Box 28274 Abilene, TX 79699-8274 reid@acu.edu university: fax: 915-674-2232

Education:

1980 - University of Texas at Austin Austin, Texas
Ph.D, Music Theory.

1971 ­ Hardin-Simmons University Abilene, Texas
Master of Music, Theory and Composition.

1969 ­ Abilene Christian University Abilene, Texas
Bachelor of Music Education, Oboe.
Magna Cum Laude.

1980 ­ 1981 University of North Carolina Greensboro, N. C.
Summer Studies with Thomas Stacy of the New York Philharmonic in English horn performance.

Present Position:

• Composer, ASCAP
• Professor Emeritus, Abilene Christian University Department of Music
• IAWM President (International Alliance for Women in Music)
• Director of ACU Music Technology Studio

Additional Experience:

• Chair, Abilene Christian University Department of Music, 1978-1990
• Member of the Abilene Philharmonic Orchestra (1976-1994) playing both oboe and English horn, serving as reserve performer (1995-present).
• Chair, Music Panel, Texas Commission on the Arts, 1994

Contents:

• Awards and Honors
• Publications (recent articles, reviews, presentations & radio broadcasts)
• Professional Activities
• Links to Additional Documentation

Selected scores and tapes are deposited with the American Music Center and are also available from the composer (Elm Creek Music).

Awards and Honors:

• One of five ACU Professors considered for the university's Piper Professor nomination.
• Recipient of 2000 American Society of Composers, Authors and Publishers (ASCAP) composer award. Recipient of annual ASCAP awards since1987.
• Recipient of "Outstanding Service" certificate from the International Alliance for Women in Music during the International Congress on Women in Music in London, July 1999.
• Awarded First Prize at the Fifth Festival of Women Composers at Indiana University of Pennsylvania, Indiana, PA in March 1998.
• Named an Outstanding Educator in Abilene Christian University's College of Arts and Sciences for 1995-96.
• Recipient of 1995 Innovative Use of Technology in Teaching award from the ACU Center for Teaching Excellence
• Recipient of a Margaret Fairbank Jory copyist assistance grant from the American Music Center in 1991.
• Named 1990-1991 Faculty of the Year in Abilene Christian University's College of Liberal and Fine Arts.

Publications (articles, reviews, presentations & radio broadcasts):

Articles:

• Multiple articles appearing in Women in Music in America Since 1900: an encyclopedia, an Oryx Press publication - release date fall 2001.
• "Building Community: the Challenges and the Promise," IAWM Journal, Vol. 5, Nos. 2-3, p. 32, 1999.
• "Educating Ourselves and Then the World," IAWM Journal, Vol. 4, No. 3, p. 18, 1998.
• "Top Five Best of Web Award to IAWM Site," IAWM Journal, Vol. 4, No. 3, p. 20, 1998.
• "Building a Community Archive Online," IAWM Journal, Fall 1997, pp. .
• "Women in Music Cycles," IAWM Journal, Fall 1997.
• "IAWM: Informazione su Internet e Progetti Future," Atti del Primo Symposium Internazionale, Donne in Musica: Gli Incontri al Borgo, pp. 48-49, published by the Fondazione Adkins Chiti: Donne in Musica, 1997.
• "Women in Music on the Web," IAWM Journal, p. 31, October 1996.
• "Women in Music on the World Wide Web," an article appearing in Kontrapunkt: Jahrbuch und Musikkalender, 1997, a publication of Furoré Verlag, Kassel, Germany, August 1996.
• "Audio Files on the Web and Other Cyberspace Secrets Revealed," IAWM Journal, p. 50, June 1996.
• "Acronyms, HTML and Other Cyberspace Secrets Revealed," IAWM Journal, p. 34, February 1996.
• "Technology Tips: Home Pages, URLs and Other Cyberspace Secrets," IAWM Journal, p. 29, October 1995.
• "The World Wide Web," IAWM Journal, p. 28, June 1995.
• "E-Mail, Listservs and Other Cyberspace Secrets Revealed," IAWM Journal, p. 29, June 1995.
• "Message from the Departing ILWC Journal Editor," IAWM Journal, February 1995, p. 25.
• "Toward the International Alliance for Women in Music," IAWM Journal, June 1994, p.
  43.
• "Computer Notation of an Orchestral Work: A Survivor's Notes," ILWC Journal, p. 40, September 1991.
• "Electronic Networking: two case studies," ILWC Journal, pp. 22 and 23, July 1991.

Music Publications:

• On the Edge of Great Quiet: Songs from Alaska, (five songs for mezzo-soprano and clarinet), published by Hildegard Publishing, 1998.
• Fiuggi Fanfare (saxophone quartet) publication pending with Music Fabrege of Paris, France.
• "Lullaby Song" published by Southern Music in Songs by Texas Composers in 1987. The song remains on the UIL contest list.

Reviews:

• A review, summary and response to Chapter 4: "What Difference Could It Possibly Make?" from George M. Marsden's book, The Outrageous Idea of Christian Scholarship, Oxford University Press, 1997, by Sally Reid, published online by Abilene Christian University, February 1999.
• "The 11th IAWM International Congress on Women in Music," IAWM Journal, Vol. 5, Nos. 2-3, p. 36, 1999.
• "The International Symposium Donne in Musica, IAWM Journal, pp. 27-28, February, 1997.
• "Society of Composers National," IAWM Journal, p. 41, June, 1996.
• "SEAMUS@Ithaca'95," IAWM Journal, p. 23, June 1995.
• "SCI Region VI Conference," ILWC Journal, p. 25, March 1992.
• "SEAMUS 1993 Conference," ILWC Journal, p. 21, June 1993.
• "New Anthology: Music by Women," ILWC Journal, p. 22, June 1993.
• "Society of Composers National Meeting: Tuscaloosa, AL," ILWC Journal, p. 32, June,1992.

Presentations:

• November 2000, "The Next CMS Report on the Status of Women in Music," panel member.
• October 1999, "Technology and the Maintenance of a Community Archive," presented during the College Music Society's national meeting in Denver, CO.
• October 1998, "Technology and the Creation of a Community Archive," presented during the College Music Society's national meeting in Puerto Rico.
• August 1998, "Building a Community Archive," for the faculty scholars presentation during ACU pre-session conference.
• March, 1998, "Building a Community Archive for Women Composers," for the Fifth Festival of Women Composers at Indiana University of Pennsylvania.
• March, 1997, "Women Composers in Cyberspace: Tools for Networking," national conference of the Society of Composers, Inc., Floriday International University, Miami, FL.
• November, 1996, "Educator Resources on the World Wide Web," brown bag seminar for the ACU Center for Teaching Excellence.
• September, 1996, "Women in Music on the World Wide Web," for the 1st International Symposium of "donne in Musica: Gli Incontri al Borgo," Fiuggi, Italy.
• August, 1996, "Using Technology in the Classroom," for the pre-conference meeting of Abilene Christian University's College of Arts and Sciences.
• March, 1996, "Women in Music on the World-Wide Web," for the Fourth Festival of Women Composers at Indiana University of Pennsylvania, Indiana, PA.
• February 26, 1996, "Possibilities: the School of Music in Cyberspace," for the Texas Association of Music Schools Region Meeting, Abilene, TX.
• June, 1995, "The IAWM Web Site Archive: the dream and the outline," for the meeting of the IAWM Board of Directors, Washington, DC.
• April, 1995, "Women Composers Networking: a case study," for the Ninth International Congress on Women in Music, sponsored by Femmage, Vienna, Austria.
• March, 1995, "The IAWM Web Site Archive," for a committee of women composers at the SEAMUS National Conference, Ithaca, New York.
• February, 1995, "Women in Music and the IAWM Web Site Archive," for the Harmony Club of Abilene.
• December, 1994, "The IAWM Web Site Archive: an unveiling," for the American Association of University Women in Abilene, Texas.

Selected radio broadcasts:

• September 25, 2000, performance of The Eagle is Born to Soar (electronic tape) on Tom Lopez' "Foldover" on WOBC 91.5 FM (Oberlin, Ohio).
  
• March 2, 2000, 9:00 p.m., KMFA (Austin, TX), included two Reid works (Fiuggi Fanfare & Elegy) on Kathryn Mishell's "Into the Light" program.
  
• Einekleine Frauenmusik, a program on the Southeastern Public Radio Network:
  A Rainbow Shines There (orchestra and digital sounds) and From Whence Butterflies? (piano and tape)
  
• 4MBS FM Brisbane, Australia, January 1993:
  From Whence Butterflies? (piano and tape)
  
• WRR Dallas, Texas, Texas Composers Forum's Texas Composers Today
  I Cry Out in the Night (chorus and tape), December 1992.
  This series was broadcast throughout Texas in 1993.
  
• Women and Technology Program Package, prepared by Dr. Elizabeth Hinkle-Turner, Oberlin Conservatory of Music, 1992, From Whence Butterflies? (piano and tape)
  
• WCBN-FM, Ann Arbor, Michigan, The Classical Woman, a series produced by Sarah Peebles, From Whence Butterflies? (piano and tape)

Professional Activities:

Offices held:

• President of the IAWM (International Alliance for Women in Music)
• Member of the IAWM Executive Committee and Board of Directors.
• Listowner of the IAWM electronic distribution list (iawm@nicanor.acu.edu)
• Site Administrator for the IAWM Web Site <http://www.acu.edu/iawm/>

Editorial activities:

• Associate Editor of Women in Music in America Since 1900: an encyclopedia, an Oryx Press publication - release date fall 2001.
• Distribution Editor for the IAWM Journal: February 1997 to June 1999.
• Served as Production Editor for the IAWM Journal: June 1995, IAWM Journal, October 1995-October 1996 (publication of the International Alliance for Women in Music, formerly the International League of Women Composers)
• Served as Production Editor for the SEAMUS Newsletter: SEAMUS Newsletter, 1995-1996, (publication of the Society for Electro-Acoustic Music in the United States)
• Served as Editor for the ILWC Journal , June 1991-February 1995 (publication of the International League of Women Composers)
• Regional Correspondent for the Texas Composers Forum's: Composer News, Spring 1995

Selected conferences attended:

• Sixth International Festival of Women Composers at Indiana University of Pennsylvania, March 2001 in Indiana, PA.
• Mega-Meeting: College Music Society National Conference, November 2000, Toronto, Canada.
• Meeting of the Donne in Musica Honor Committee with representatives from five continents, Rome, Italy, September 2000.
• ARIA (Academic and Recording Industry Alliance) meeting at University of Miami, July 2000.
• College Music Society National Conference, October 1999, Denver, CO.
• Eleventh International Congress on Women in Music, July 1999, sponsored by the IAWM and held in London, England.
• College Music Society National Conference, October 1998, Puerto Rico.
• Fifth International Festival of Women Composers at Indiana University of Pennsylvania, March 1998 in Indiana, PA.
• Region VI SCI Conference, University of Texas at Arlington, February 1998.
• SCI (Society of Composers, Inc.) National Conference at Florida International University in Miami, FL, March 1997.
• Tenth International Congress on Women in Music, May 1997, sponsored by the IAWM and held a CalArts in Valencia, CA.
• SCI (Society of Composers, Inc.) National Conference, Imagine '96 at the University of Memphis, March 1996 in Memphis, TN.
• Fourth International Festival of Women Composers at Indiana University of Pennsylvania, March 1996 in Indiana, PA
• SEAMUS (Society for Electro-Acoustic Music) National Convention, SEAMUS@Ithaca'95 at Ithaca College, March 1995 in Ithaca, NY
• Ninth International Congress on Women in Music, sponsored by Femmage and held in Vienna, Austria, April 1995

Active professional memberships:

• ACF (American Composer's Forum)
• AMC (American Music Center)
• ASCAP (American Society of Composers, Authors and Publishers)
• CMS (College Music Society)
• IAWM (International Alliance for Women in Music)
• ICMA (International Computer Music Association)
• IDRS (International Double Reed Society)
• NACUSA (National Association of Composers, USA)
• SEAMUS (Society for Electro-Acoustic Music in the US)
• SCI (Society of Composers, Inc.)
• SMT (Society for Music Theory)

Additional Documentation:

• Commissions
• Composition Catalog
• Secondary Dissemination of Research and Creative Activity
• Selected Performances

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