Selected Performances
of works by composer Sally Reid
- March 2001 - Premiére performance of I Shall
Wear Purple for soprano, English horn and piano. Performance
of Let it Take Years for soprano, violin and piano. Indiana
University of Pennsylvania Festival of Women Composers
- September 16, 2000 - Jesus, Redeemer Messiah (Gesù,
Redentore, Messia) performed in the Vatican Audience Chamber
in the Vatican City. There were five additional performances
in Rome during the Jubilee year.
- April, 2000 - Performance of The
Edge of Great Quiet: Songs from Alaska, by Julie
Pruett and Charles Coltman at the Meyerson Center in Dallas,
Texas.
- March 2000 - Premiére performance of Let
it Take Years (version for soprano, violin and piano) at
James Madison University.
- February 2000 - Premiére performance of a series
of electronic fanfares during the annual meeting of the Texas
Computer Educator's Assciation as part of a presentation featuring
three composers of the Texas Computer Musicians Network.
- January 2000 - Premiére performance of Let
it Take Years (version for soprano and piano) by Mary Etta Hobbs
and Cheryl Lemmons at Abilene Christian University during an
Honors Colloquium Recital.
- December 28, 1999 - Jesus, Redeemer, Messiah was performed
twice during the Jubilee 2000 Celebration in the Basilica of
Santa Maria sopra Minerva in Rome. The a cappella version opened
the program and the work was repeated by the entire concert ensemble
to close the concert. The National Dance Academy presented accompanying
choreography with dancers in costumes of the colors on the Jubilee
Logo. The entire evening was repeated on December 29, 1999 in
the Cathedral of Anagni, where the Jubilee Celebrations were
born a thousand years ago.
- July 9, 1999, Performance of Elegy (for clarinet and
piano) at the 11th IAWM Congress on Women in Music in London,
England. Additional performances were given in a European tour
by Price Duo.
- April 22, 1999 - Premiére performance of Midnight
Sun (clarinet and mezzo) from The Edge of Great Quiet,
performed by Isabelle Ganz and Richard Nunemaker on the Houston
Composer's Alliance Composer's Now Series in Houston.
- April 21, 1999 - Premiére performance of Sorrow's
Moment: a rhapsody for orchestra and digital sounds, by the
Abilene Collegiate Symphony. This was the first presentation
of the revised version of and earlier work for orchestra and
electronics, A Rainbow Shines There.
- March 1999, Abilene Christian University, performance of
From Whence Butterflies? by Kay Williams on Texas Computer
Musician's Network concert.
- January 1999 - Premiére performance of Elegy (clarinet and piano) by the
Price Duo at Abilene Christian University. Additional performances
throughout the U.S. and Europe in the summer of 1999.
- March 1998 - Performance of Fiuggi Fanfare during
the Fifth Festival of Women Composers at Indiana University of
Pennsylvania. The work received First Prize.
- February, 1998, University of Texas (Austin), College Music
Society workshop performance of From
Whence Butterflies? by Lora Deahl.
- February 1998 - Premiére performance of April,
(clarinet and mezzo) from The Edge of Great Quiet during
the Region VI Society of C omposers conference at the University
of Texas at Arlington.
- January 1998 - Performance of From Whence Butterflies?
for piano and tape by Texas Tech University Professor Lora
Diehl at the College Music Society workshop at the University
of Texas in Austin and for the American Musicological Society
the following week.
- December 1997 - Premiere Performance of Jesus, Redeemer,
Messiah, a hymn setting for chorus, brass, percussion and organ,
by the ACU A Cappella Chorus and selected ACU winds & percussion.
- November 1997 (also Jan. & Feb. 1998) - Performance of
From Whence Butterflies?, a romance for piano and tape,
in Santa Fe, New Mexico, by pianist Lawrence Axelrod. He also
presented the work on two programs in Albuquerque, New Mexico
(January 1998) and Honolulu, Hawaii (February 1998).
- September 1997 - Premiére performance of
Fiuggi Fanfare (concert band
version) by the Fiuggi Community Band during the 2nd international
symposium "Donne in Musica: Gli Incontri al Borgo."
The work was commissioned by the City of Fiuggi and the Fandazione
Adkins Chiti: Donne in Musica.
- September, 1997 - Performance of Tear
on a Child's Cheek. , five miniatures for voice and
piano (soprano version), on a concert celebrating the acquisition
of the American Women Composers archive by the Gelman Library
of George Washington University in Washington, D.C.
- September 1996 - Premiére performance of
Fiuggi Fanfare by Paul Wehage
and Donne in Sax (seven concert venues) during the international
symposium "Donne in Musica: Gli Incontri al Borgo."
Fiuggi Fanfare was one of five works commissioned
by the City of Fiuggi and the Fondazione Adkins Chiti: Donne
in Musica expressly for the festival which included composers
from Norway, Spain and Italy (2). The City of Fiuggi awarded
each of the commissioned composers a silver medallion crafted
by a local articsan, Orafo Rosito.
- March 22, 1996 - Premiére performance of "Everything" (mezzo
aria from chamber opera Healing)
during Fourth Festival of Women Composers International at Indiana
University of Pennsylvania in Indiana, PA..
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Last modified 4/10/01
Sally Reid, reid@acu.edu
Selected Performances, Sally Reid, reid@acu.edu