The Etude for Oboe and Tape (1983) is one of six studies
for soloist and digitally generated tape. (The others are for
alto saxophone, trumpet in C, violin, piano and English horn.)
In each the solo line appears against an electronic background
derived from the melodic material of the solo combined with individual
digital motives characteristic of the various electronic instruments.
This etude explores unusual register transfers and intervals for
the oboe. The soloist responds to cues from the tape, placing
the solo passages freely within the available sound spaces, often
extending the gesture into the following tape expression. The
result is a sort of sound sculpture, conceptually more present
in space than in time.
The original realization of the work was done on the pre-MIDI,
micro-computer based alphaSyntauri system, an eight-bit, multi-timbral
system which utilized the sixteen digital oscillators of the Mountain
Computer cards designed for use in Apple II microcomputers. The
score was generated using a crude (by today's standards) first
generation computer notation system which permitted graphic representation
of taped events resembling traditional music notation, but in
which passing time (rhythm) is represented spatially.
![]()
[Home]
[Audio] [Compositions]
[Performances]
[Scores] [Scrapbook]
[Family] [Vita]
![]()

Etude for Oboe and Tape