Miniature for English Horn and TapeThe Miniature for Englilsh Horn and Tape (1984, resynthesized
1988) is one of six studies for soloist and digitally generated
tape. (The others are for alto saxophone, trumpet in C, violin,
piano and oboe.) In each the solo line appears against an electronic
background derived from the melodic material of the solo combined
with individual digital motives characteristic of the various
electronic instruments. This miniature explores unusual register
transfers and intervals for the English horn. The soloist responds
to cues from the tape, placing the solo passages freely within
the available sound spaces, often extending the gesture into the
following tape expression. The result is a sort of sound sculpture,
conceptually more present in space than in time.
The original realization of the work was done on the pre-MIDI,
micro-computer based alphaSyntauri system, an eight-bit, multi-timbral
system which utilized the sixteen digital oscillators of the Mountain
Computer cards designed for use in Apple II microcomputers. The
score was generated using a crude (by today's standards) first
generation computer notation system which permitted graphic representation
of taped events resembling traditional music notation, but in
which passing time (rhythm) is represented spatially.
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Miniature for English Horn and Tape